From Kano to London, Then Nollywood: The Extraordinary Life of Olu Jacobs
There was a time when Nigerian actors did not need a booming film industry to become stars.
They needed a stage, a script, a voice and the ability to hold an audience.
Olu Jacobs had all four. The veteran actor, born Oludotun Baiyewu Jacobs, died on September 16, 2026, at the age of 84.
His death was announced by his family, with his son, Olusoji Jacobs, and his wife, veteran actress Joke Silva, among those who confirmed the loss.
For more than five decades, Jacobs moved through theatre, British television, international cinema and Nollywood.
He was not simply part of the Nigerian film industry. His career stretched back to a period when the industry was still finding its modern identity.
From Kano to the stage
Olu Jacobs was born on July 11, 1942, in Kano, although his family had roots in the Egba Alake community of Abeokuta, Ogun State.
He grew up in Kano and developed an early interest in performance through school drama, debating and church activities.
A performance by the legendary Nigerian theatre practitioner Hubert Ogunde would later strengthen his desire to pursue acting professionally.
That decision eventually took him beyond Nigeria. Jacobs travelled to Britain and trained at the Royal Academy of Dramatic Art in London, one of the world’s recognised institutions for professional theatre training.
His British years were important because they established him as an actor before the word “Nollywood” had entered the Nigerian entertainment vocabulary.
He worked with repertoire theatres and appeared in British television productions including The Goodies, Till Death Us Do Part, The Professionals, The Tomorrow People and Barlow at Large.
He also appeared in international films, building a career that crossed geographical and cultural boundaries.
The actor Nigeria came to know
Jacobs eventually returned to Nigeria and became one of the most recognisable faces in the country’s rapidly developing film and television industry.
His appeal was not based on one kind of character. He could play the traditional ruler, the politician, the father, the businessman, the patriarch or the intimidating authority figure.
His voice and delivery often gave even ordinary dialogue a sense of weight. That commanding presence became one of his trademarks.
By the time Nollywood expanded into a major global film industry, Jacobs was already an established theatre and screen actor.
His career would eventually include more than 100 film appearances, while his work continued across theatre, television and cinema.
More than Nollywood
Olu Jacobs’ contribution went beyond the films Nigerians watched on television and at home.
Together with Joke Silva, whom he married in 1989, he became involved in the Lufodo Group and the Lufodo Academy of Performing Arts, extending their work into production, distribution and the training of young performers.
Their partnership became one of the most recognised marriages in Nigeria’s creative industry.
But behind the public image was also a private family life. The couple had two children and built a professional partnership that allowed both of them to maintain individual identities while contributing to the same creative ecosystem.
Recognition came from home and abroad
Jacobs’ career earned several major honours.
He won the Africa Movie Academy Award for Best Actor in a Leading Role in 2007. He later received the Industry Merit Award at the Africa Magic Viewers’ Choice Awards in 2013 and a lifetime achievement honour at the 2016 MAA Awards.
In 2011, the Nigerian government also conferred on him the national honour of Member of the Order of the Federal Republic, MFR, recognising his contribution to the Nigerian film industry.
These honours reflected something that audiences had already known for years: Jacobs belonged to a generation of performers whose careers could not be neatly confined to Nollywood.
The years of rumours and public concern
Interestingly, death rumours had followed Olu Jacobs before.In June 2024, Joke Silva publicly dismissed reports that her husband had died, saying he was alive and doing well.
Jacobs later appeared publicly, including at events where he received recognition.
That history made Wednesday’s announcement different.
This time, the family itself confirmed his death.In announcing the passing, the family described Jacobs as their “dear husband, father, grandfather and uncle” and referred to him as “The Lion of Lufodo.”
The family also appealed to bloggers and social media influencers to respect their privacy during the mourning period.
A career that outlived an industryOlu Jacobs’ significance is perhaps best understood through the length of his journey.
He began when professional acting in Nigeria was largely rooted in theatre. He worked in Britain when Nigerian television and cinema were still developing. He returned home and became part of the generation that helped give Nigerian screen acting a wider audience.
Then came Nollywood. The industry grew from a largely home-video business into one of the world’s most visible film industries, while Jacobs remained one of its most familiar elder statesmen.
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ValidViewNetwork reports that his career therefore tells a larger story than that of one actor.
It mirrors the evolution of Nigerian entertainment itself, from the stage to television, international cinema and the global Nollywood era.
What remains
Olu Jacobs leaves behind Joke Silva, their children and grandchildren, generations of actors who watched and learned from his work, and an audience that grew accustomed to seeing his face whenever a role demanded authority and presence.
His death closes the chapter on one of Nigeria’s longest and most distinguished acting careers.
But the performances remain. The films remain. The students he helped train remain.
And so does the influence of an actor who began his journey in Kano, sharpened his craft in Britain, returned home and became one of the defining faces of Nigerian theatre and film.Olu Jacobs was 84.
He spent more than five decades acting, but his real legacy may be that he helped make acting itself look like a profession worth taking seriously. ValidViewNetwork reports.


